Richard Nickel is an urban legend of sorts. He is remembered for his brave and lonely stand to protect Chicago s great architecture, and for his dramatic death in the rubble of the Stock Exchange Building. He is remembered, too, for the photographs he left behind. Some show lost Chicago: Riverview, the old Federal Courthouse, and many masterpieces by the firm of Adler and Sullivan. Some show new Chicago: the John Hancock Center, Marina City, and the Civic Center. Few have ever before been seen--until now. This is a book about one man s relationship with his city, a remarkably personal story told through compelling photographs. Richard Nickel s Chicago is for people who love the city, and for people all over the world who value city life. Nickel's Chicago contains over 250 duotone photographs.

By Richard Cahan and Michael Williams

Hardcover: 192 pages; 100lb paper with duotone images

ISBN-10: 0978545028

ISBN-13: 978-0978545024

Product Dimensions: 10.1 x 10 x 1 inches

Shipping Weight: 2.8 pounds

REVIEWS

Chicago Reader

The 250 duotones included in the extraordinary new Richard Nickel's Chicago provide a moving portrait of mid-century Chicago poignantly captured in the volumes subtitle, "Photographs of a Lost City." ...Nickel's Chicago poignantly conveys what we what we've lost and captures the enduring beauty of what's still here to save, from the Rookery and the Monadnock right down to their modernist successors, the John Hancock Building and Marina City, part of a generation that has now, in its turn, also grown aged and vulnerable.

—Lynn Becker

Chicago Tribune

It is a revelation, then, to discover that his camera was also drawn to living things, and to come upon so many in "Richard Nickel's Chicago: Photographs of a Lost City" is to appreciate Nickel on a new level. Lovingly compiled by Richard Cahan and Michael Williams, the book offers a number of architectural photos but, as you can see from the small sampling on these pages, it also offers striking portraits of people....It can be argued that Nickel's death at 43 was the catalyst for the local preservation movement that has saved many, if not enough, of Chicago's architectural treasures from developers' greed and the wrecking ball. But I remember that at his memorial service one of his friends put Nickel's life in simple terms. He called him "a poet with a camera." On these pages and in this book we have the proof.

Booklist

Richard Cahan and coauthor Williams now present a stunning and heart-wrenching collection of 200 never-before-seen photographs by a man of vision and conviction. A student of Harry Callahan and Aaron Siskind, Nickel shot covertly prayerful street scenes and portraits. These unexpected gems are followed by a unique and disquieting collection: Nickel s brilliantly composed, extraordinarily detailed, and grandly dimensional photographs of what should have been landmark buildings, pictured both whole and in ruins. Thanks to Cahan and Williams, the losses Nickel so precisely documented are balanced by Nickel s recovered and profoundly evocative photographs, works that testify to the need for preservation, and stand as works of art embodying an elegiac beauty. —Donna Seaman  *Starred Review

Chicago Sun-Times

Richard Nickel's Chicago, featuring about 200 of his previously unpublished images, reminds us all over again of his staggering, literally life-and-death commitment that continues to this day....Occasionally Nickel finds a rhapsodic interlude of pure poetry, as in his exquisite image of the elegantly twisting interior staircase of Burnham & Root's Rookery. Gazing at it, you're grateful for this moment of serenity in the midst of a career that brought him so much pain. But you're jealous too. May we all find work worth dying for. —Kevin Nance